composition ● improvisation ● piano


instrumental music (solo/ensemble)

Schwelle (2021/22)

viola, piano ca. 16 min., first performance and recording planed in 2024 by Laura Strobl & Georg Graewe

Tetrachrom (2019/2020)

flute, recorder, harp, harpsichord, ca. 15 min., comissioned by ensemble airborne extended, Elena Gabbrielli, flute, Caroline Mayrhofer, recorder, Tina Zerdin, harp, Sonja Leipold, harpsichord, first performance: February 13 2021 Trieste Prima festival , basilica di San Silvestro Trieste , IT (without audience, stream online), Link: www.airborneextended.com / Score Excerpt


3 x 3 solo pieces for violin, cello, piano, first performances festival Wien Modern November 2018, AT, by Barbara Lueneburg, Tiziana Bertoncini, Annelie Gahl: violin, Audrey Chen, Michael Moser, Séverine Ballon: cello, Georg Graewe, Thomas Lehn, Oskar Aichinger: piano, Link: CD and online

offene Kreise (2018)

contrasting guitar & percussion, ca. 13 min., comissioned by Duo Christian Buck & Christian Wolfarth, first performance: December 7 2018 Atelier SU, Zurich, CH, Link: Christian Buck & Christian Wolfarth / Score Excerpt

teils teils grell (2016)

version A: for voice (soprano) and cello after a text by Oskar Pastior, ca. 17 min., first performance: June 19 2016, festival Landgänge, Freistadt Upper Austria, Alexandra von der Weth, soprano, Anja Schröder, cello, version B: for voice (soprano) and contrabass flute first performance: October 31 2016, Aachen, DE, Maria Regina Heyne, soprano, Susanne Schrage, contrabass flute, Link: Score Excerpt

en pente (2016)

organ solo, ca. 45 min., first performance: August 14 2016, Kapuzinerkirche Murau, AT, played by the composer

lokus fokus (2016)

for any sound producing media, number of players & duration free, first performance: June 26 2016, Porgy & Bess Vienna, AT, members of studiodan:, Sophia Goidinger - Koch, vl, Gunde, Jaech-Micko, vl, Martina Engel, vla, Maiken Beer, cello, Michael Tiefenbacher, piano, Link: www.studiodan.at

5 variations about "reell leer" from 2004 (2013/14/18)

piano solo 1 anstaendig abgeraeumt ca. 3 min., first performance: June 19 2016, festival "Landgaenge", Upper Austria, Mariko Onishi, piano, 2 tatsaechlich ohne Ausdruck ca. 4 min., first performance: September 27 2013, festival "Klangspuren", Tirol, AT, Seda Roeder, piano, 3 ehrlich nichtssagend ca. 4 min., first performance: June 19 2016, festival "Landgaenge", Upper Austria, Mariko Onishi, piano, 4 wirklich nichts enthaltendca. 7 min., first performance: July 2 2014, Mumuth Graz, AT, in connection with the project „Patterns of Intuition“ IEM Graz, Janna Polyzoides, piano, 5 ordentlich inhaltslos, ca. 7 min., comissioned by project "Saiten-Tasten" by Mathilde Hoursiangou, first performance: November 18 2019, Wiener Konzerthaus / festival Wien Modern, AT, Luca Lavuri, piano, Link: Video

lichte Sicht (2014)

for 18 string instruments,ca. 13 min., first performance: April 3 2014, Wiener Konzerthaus, AT, Wiener Kammerorchester

SPIN (2012)

for stringquartett & piano, ca. 13 min., first performance: November 28 2012, Off-Theater Vienna, Koehne Quartett & Kaori Nishi, piano

einen Moment bitte (2012)

part 1: for 8 instruments (bcl, acc, hrn, perc, p, vl, vc, db), ca. 20 min., first performance: August 19 2012 Zacherlfabrik Wien AT by Klangforum Wien, AT, Links: www.zacherlfabrik.at / www.klangforum.at

Waldareale (2011)

bass-recorder and bassclarinet, ca. 12 min., first performance: September 25 2011 at Ruprechtskirche Vienna AT by Thomas List and Robert Corazza, Links: www.neuemusik-st.ruprecht.at / www.dosados.at / score at mica-music austria Notenshop

Hecke (2010)

amplified subbass-recorder, ca. 11 min., according to texts by Oswald Egger, first performance: March 12, 2010 Alte Schmiede Wien, AT by Pia Palme, Link: www.alte-schmiede.at

noise:s onie (2010)

cello solo, ca. 4:30 min., first performance: September 18th, 2010 by Kristin van der Goltz, festival Trigonale Austria, played and recorded for CD jalousie, 2012 chmafu nocords by Roland Schueler, score available at mica-music austria Notenshop, Links: CD / score

noeud (2010)

cello, trombone, vibraphone & percussion, ca. 14 min., first performance: May 28 2010, festival e-may, Kosmostheater Wien, AT, Roland Schueler, cello, Andrew Digby, trombone, Berndt Thurner, vibraphone & percussion, Link: www.phace.at

quatuor à trois (2010)

for any trio ad libitum, duration free, first performance: November 26 2010 at echoraum, Vienna, AT, by Angélica Castelló (recorders & electronics), Manon Liu Winter (clavichord), Katharina Klement (electronics), Link: www.echoraum.at

cows caused chaos (2009)

15 instruments (fl/ob/clar /fag/trpt/hrn/2 tromb/p/vibra/tam-tam/2 vl/vla/vc/kb), 10 min., comissioned by Linz Kulturhauptstadt 2009, first performance: June 14 2009, Linz at Circus, Zukunftsmusik, AT, performed by Ensemble 09, Alexander Drcar, Link: www.linz09.at

Jalousie (2009)

alto-, tenor-, bariton-, bass-saxophon, duration variable, dedicated to Danubia Saxophon Quartett (Peter Girstmaier, Harald Müller, Alfred Reiter, Barbara Schickbichler), first performance: October 4 2009, Ruprechtskirche Vienna, AT, Links: www.neue-musik.at / CD

chaotic bands in canonical form (2008)

4 players, any instruments or electronics, 12 min., dedicated to ensemble "subshrubs" (Angélica Castelló, Katharina Klement, Maja Osojnik, Billy Roisz), first performance: May 31, 2008, Festival e-may, Vienna, AT

bazilicon (2007)

two pianos and two percussions, 15 min., first performance: April 15 2008, Austrian broadcast studio Tirol, Innsbruck, AT, Marlies Nussbaumer, Elisabeth Bertsch: pianos, Stefan Schwarzenbegrer, Stephan Mader: percussions, released on CD ORF Edition Zeitton, Portrait Katharina Klement 2008, Link: CD

anneau (2007)

baritonsax, bassclarinet, counterbassflute, ca. 8 min., comissioned by the Vienna Seminar of Nobel Laureates, first performance: June 28 2007 at the Zweites Wiener, Nobelpreistraegerseminar, Rathaus Vienna, AT, played by Eva Furrer, Gerald Preinfalk, Martin Zrost, Link: nobelvienna

ein Baum. der Regen. draussen. die Erinnerung (2006/2010)

for any number of performers, for any instruments, duration variable, comissioned by “Mozartjahr 2006”, Musikschule Ottakring Vienna, first performance: June 2006, Bezirksmuseum Ottakring Vienna, AT by pupils of Musikschule Ottakring

verse (2006)

two pianos, 15 min., first performance: November 18, 2006, festival EXPAN, Werkstatt für Neue Musik in Spittal/Drau, AT, by Ute Gareis and Klaus-Georg Pohl, Link: score at Certosa Verlag

none-pareil (2006)

two bass-clarinets, 19 min., dedicated to and performed by Petra Stump and Heinz-Peter Linshalm, first performance: May 31 2006, Musikverein Vienna, AT, released on CD ORF Edition Zeitton, Portrait Katharina Klement 2008, Link: CD

schneEFaHrBahn (2005)

violin, flute, tenor- and bass-recorder, clarinet, 8 min., dedicated to young musicians, comissioned by EXPAN, Werkstatt für Neue Musik in Spittal/Drau, AT, first performance: November 18 2006, Spittal/Drau by pupils of Musikschule Spittal

linkerhand und rechterhand (2005)

violin, zither, guitar, doublebass, ca. 12 min., dedicated to and performed by Ensemble Monopol (Cornelia Mayer, zither/ Alexander Mayer, db / Marion Langer, guit / Thomas Trsek, vl), first performance: August 20 2005, Festspielsommer Klaus, AT

par (2005)

violin and piano, 11 min., first performance: June 18 2005, Sammlung Leopold, Museumsquartier, Vienna AT by Annelie Gahl, vl and Sigrid Trummer, p

Dreh (2005)

altoflute solo, ca. 15 min., first performance: September 15 2005, Christuskirche Vienna, AT, by Monika Swoboda-Kalnein

Aber in der Mitte der Himmel der Gesänge (2005)

bassoon solo, ca. 15 min., comissioned and played by Robert Gillinger (formerly Buschek), first performance: April 8 2005, Alte Schmiede Vienna AT, released on CD "Passagen", einklang records 2008, Links: CD / www.alte-schmiede.at / score available at mica-music austria Notenshop

reell leer (2004)

piano solo, ca. 8 min., released on CD "fin de siècle", 4/4 Verlag, renova classics played by Sigrid Trummer, Link: CD

weiß - unweiß (2003)

solo vl, ca. 11 min., comissioned and performed by Annelie Gahl, first performance: October 3 2004, Ruprechtskirche Vienna AT, released on CD "innaron" 2004, Extraplatte Austria, Link: CD

so streng wie möglich (2002)

two pianos, 21.30 min., first performance: October 8, 2002 Stadtinitiative Vienna AT by Manon Liu Winter and K. Klement

W (2001)

bass- / subbassrecorder and voice, ca. 20 min., comissioned and performed by Angélica Castelló, first performance: October 8 2002, Ruprechtskirche, Vienna, AT, Link: nmr.klingt.org

Achtung Baustelle: Musik (2001)

for any 4 instruments or voices or sounding objects ad lib, duration variable, first performance: March 2001 at University for Music and Performing Arts Vienna, AT, by pupils of Musikschule Eichgraben

absences (2000)

prepared and amplified clavichord, ca. 15 min., comissioned by Land Steiermark, AT, first performance: June 26 2000 Burg Graz, AT, by Manon Liu Winter, released on CD "monde", KalK 07, 2003, Link: CD

scope (1998/99)

4 vl/vla/vc/kb, ca. 25 min., comissioned by ORF and "jeunesse" Austria, first performance: April 22 1999 Radiokulturhaus Vienna, AT, Link: score avaliable at Musikverlag Alexander Mayer

lauter Laute (1998/2001)

altoflute/ female voice / e-guit / cello/ prep. piano, ca. 13 min., comissioned by Ensemble "Ambitus", Margarete Jungen, voice / Cordula Boesze, altflute / Maria Frodl, vc / Katharina Klement, prepared piano / Burkhard Stangl, e-guit, first performance: October 22 1998, Tabakmuseum Vienna, AT, released on CD “monde” KalK 07, 2003, Link: CD

7 Variationen über Webern op. 27/2 (1995)

vl/clar/tensax/piano, ca. 20 min., comissioned by Grabenfesttage Vienna, first performance: June 20 1995, 5.Grabenfesttage Vienna, AT, by Daniel Sepec, vl / Ernesto Molinari, clar / Renald Deppe, tensax / Mathilde Hoursiangou, p, Link: score avaliable at Musikverlag Alexander Mayer

6 Schloßstuecke (1988)

prepared piano solo, partly released on LP "dot", extraplatte LC 8202, 1989 played by the composer, Links: LP / score available at Certosa Verlag

Privacy policy – Imprint
Copyright © 2021 Katharina Klement